Widow

Cain Casey has much to be thankful for—a loving wife in Emma, three beautiful children, and an ever-expanding family. Her business continues to grow, giving her the power to keep it all safe, but is it? Unknown federal agents are not playing by the government’s rules, and the Russian mob comes seeking revenge for the losses Cain’s inflicted. Cain and Emma have agreed to partner with the local feds to root out their rogue agents, but their goals for the endgame are completely different. Cain wants to remove the threat the way she knows is best—permanently. There is also Nicola Antakov, who she plans to handle the same way. 

Cain Casey is the devil you know. She loves her family and will do anything to keep them safe and whole.

When bodies start washing up on the shore in Salem Harbor, Massachusetts, an elite task force of FBI agents, profilers, and detectives join forces in a remote log cabin to decode the clues and stop the killer from targeting another victim.

Agent Tala Marshall overcame a childhood of deep generational wounds to become the country’s best criminal profiler. Now she faces her most challenging case yet, racing against the clock to profile the elusive killer before they strike again. She must partner with Wilder Mason, a local detective convinced that the murders are connected to the Salem Witch Trials of 1692, and Tala builds a connection to the task force that helps her come to terms with her tumultuous past. But Wilder wants more and is determined to find the key to both the case and Tala’s guarded heart.

Can they find the undercurrent that connects Salem’s past and present before another victim washes to shore?

Working with SPEAR is never easy, but it also isn’t boring. Until now.

Evicted from her team, chained to her desk, Danika Karson must instead endure dozens of tedious experiments to diagnose the marks on her back. And no, she may not be part of the ongoing efforts to restore human-edane relations after last month’s Werewolf Riots.

So, when Rayne invites Danika to a wedding in her humdrum hometown, Danika seizes the opportunity to be useful. Not only can she support her vampire girlfriend in coming out to her estranged family, but she can also fulfill one of many debts owed to the nasty little goblin, Shakka.

One mundane favor, a nervous vampire, and an expensive, high-profile wedding. Stressful, perhaps, but given the choice between that and one more biopsy, Danika hurls herself in, feet first.

If only the unnamed creature made of smoke and bad memories would wait one more weekend…

Dr. Grace Kendal never stands a chance. The injured woman comes out of nowhere, bleeding heavily and holding a gun. Compelled to help her, Grace is dragged into Elin Breckenridge’s nightmare. Their fight to survive will take them across the country and to the limits of their endurance. But who is Elin running from? As Grace struggles for answers, one thing becomes clear—Elin is somehow connected to a dead man, and Grace could be next. 

For Detective Sergeant Safia Faris, the case should have been easy: one dead body, one suspect. But the deeper she digs, the more obvious it becomes that murder was only the beginning. The investigation sets her on a collision course with Grace and Elin, and she’s forced to reevaluate everything she knows. Because nothing is quite as it seems, and Grace’s and Elin’s lives aren’t the only ones on the line.

Murder is a seductive story that keeps Detective Jill Rogers hypnotized and soothes her road-hungry feet. Money and murder—the world’s most fascinating subjects. Jill quit romance when she left Sophie Walsh, the love of her life, starved and hurting. Love is for sunny, squishy people, and Jill is dark. 

 A few things Jill knows for sure: the more violent the crime, the closer the relationship is between victim and murderer. Murder investigation is a two-piece puzzle. One piece is the crime scene and it forms half the picture; the other is the witnesses and suspects. Ideally, the two halves come together and form a complete whole and the case is solved. If they don’t, either Jill made a mistake or someone is lying. And she doesn’t make mistakes.