Montana rancher Becky Miles (who decidedly drops the Becky part) is drawn into the snake pit of internalized homophobia when she travels to Vermont to find out if her gal, Jane Scott, still loves her. Jane's life is enmeshed by old guilt and compassion for Georgia, whose horse training business is tarnished by a tragic death in her barn. Miles has little patience for Georgia, a closeted lesbian who is desperate to pass among the upper crust of the horse show world. Neither Jane nor Miles has any idea, at first, just how desperate Georgia is to pass in the straight world.
Journalist Jane Scott finds herself drawn into a world of violence. Horses are being murdered for their insurance value and stolen to sell with new identities. Jane uses her journalist skills in an attempt to expose the growing horror taking place in the seemingly benign horse show circles of the wealthy. When she gets too close to the truth, her own horses disappear from her farm. Is it a warning that she's getting too close to the truth?
Jane unexpectedly meets Miles, a woman who finds her at the feet of a beautiful black Trakehner mare, which Jane calls Night. Jane falls for Miles in more ways than one. But the men Jane is trying to stop are determined she will not expose their lucrative horse theft ring. Can she expose them before they come after her?
After a year of mourning, Montana rancher Miles feels stagnated. When Karen, an outdoor adventures leader, turns up at Miles’s ranch in the bone-chilling winter with a proposition for her to lead an all-woman group into the Montana wilderness, Miles snaps it up like a rare steak. Her body comes awake at the sight of Stormy, the horse wrangler sent by the stock supplier to assist her, but Rachel, one of the guests, reaches into her heart with the warmth of a freshly baked pie. The pack trip leads them deep into an isolated area, where cell phones are useless, and the trip morphs into an excursion with a deadly obstacle. The eight guests, the two outfitters, the trip organizer, and Miles must bring their singular wits to bear to surmount an impasse of not granite but men.
Rachel Duncan, a Montana rancher, has led a self-sufficient life and kept her complications of the heart to a minimum. She is as tough as her horses and believes nothing can stop her from winning the one-hundred-mile in one day horse race, the Tevis Cup. She has a horse who can do the job, the Arabian mare, Kestrel. The element of the team she isn’t so sure of is her new veterinarian, Dr. Margaret Carson. Margaret proves herself to the reluctant Rachel, broadening her vistas to discover a tender side, one capable of loving and being loved.
Boston Homicide Detective Reid Sylver closes every case that comes her way. Her secret? She can talk to the dead.
Reid’s perfect record has earned her the freedom to work with the only partner she can tolerate: a scarred one-eyed mastiff called Mugshot. Then the new boss saddles her with rookie London Gold. How will she keep her gift a secret with this ambitious rookie underfoot?
London Gold has dreamed of being a homicide detective since long before she became a cop. Now she has a chance to learn from the woman she’s idolized for years. Breaking through the detective’s tough shell won’t be easy, but she’s determined to learn the secret behind Reid's success.
Both women are surprised by their chemistry as they work feverishly to find a tech-savvy killer who stalks his victims from afar. Just one problem: the killer's now stalking them.
By Ellie Hart
When her cell phone rings, Giselle Cutler answers it—and finds herself speaking to a dead woman.
As Giselle and her partner Marta Perry get ready for the birth of their baby, the last thing they expect is to be drawn into another mystery. But there’s been a horrible mix-up with identification of a body found in the bay, and Marta’s supervisor Chrissy Burton is very much alive and desperate for their help.
Intrigue turns deadly as they uncover illegal organ transplants, black market sales, and ties to international terrorism. The killer is willing to do anything to keep the public from knowing how the transplant system really works, even if it means killing Giselle and Marta.
Unemployed English professor Emily Murray has been given a chance of a lifetime: to work and study inside Gnarled Hollow, the former estate of one of her favorite authors. She doesn’t believe in the supernatural, but by the end of her first day, she knows something is wrong. The house has a disturbing habit of changing dimensions—and not just physical ones. Rooms go missing, doors close on their own, and time has a strange tendency to disappear. Emily is joined by other scholars, among them the beautiful art historian, Juniper Friend. Together they begin to research the history of the house, refusing to abandon their work despite the appearance of a mysterious, frightening presence. Spurred on by their desire to uncover the mysteries of Gnarled Hollow and its ghostly inhabitant, they’re determined to uncover the truth, even if it means risking their own lives.