Providence

Martine Roberts and Elliot Tillman’s childhood friendship was intense. When they bump into each other again thirty years later, sneaking out of an apartment after one-night stands with a pair of roommates, all their feelings come rushing back. 

Elliot needs a place to stay, and Martine needs a roommate. It should be simple, but it’s not friendship simmering between them. 

Growing up in Key West, rum distiller Martine has friends and family to spare, but her deepest heart she keeps to herself. 

With her career in the Coast Guard, Elliot’s never had a permanent address and didn’t mind, until moving in with Martine gives her a home. Now she wants to chart a different course with a woman who likes her relationships short and seasonal? Perfect.

Sometimes friends with benefits isn’t a foolproof way to hide from the truth at the heart of an affair.

When it comes to mistakes, social worker Madison Hewitt doesn’t do anything halfway. Her last relationship managed to break her heart and her professional prospects. Coming home to Providence is her chance to regroup, even if she’s always waiting for the other shoe to drop, in life and in love.

Jen Winslow has her hands full raising her son, dealing with her ex-wife, and managing a career that takes more energy than it gives. She’s spent a lifetime being the strong one, and occasionally playing the hero. Case in point? Meeting Madison at a wedding and saving her from a run-in with the woman who ruined her life. But the more time Jen spends with Madison, the more it feels like she’s the one in need of rescuing.

Can the promise of love survive the realities of life, or is it just another example of too good to be true?

Rebekiah Kearns’s passion is photography—erotic images of sex, love, and the boundaries between them. Still wounded by the death of her best friend, she’s locked her heart away and forges her only meaningful connections through the lens of her camera.

Lindsey Blackwell never stops. Her work as a wealth management consultant takes her all over the world, and she just doesn’t have time to make a relationship work. Women always end up asking for more than she can give.

When Rebekiah receives a huge inheritance, all she wants to do is get rid of it, but Lindsey has other ideas. Their professional relationship quickly turns personal when Lindsey agrees to pose for Rebekiah. With every click of the shutter, Rebekiah finds it harder and harder to keep Lindsey in focus without getting too close.

Hannah knows how to grow her family’s jewelry design company into one of the most successful on the West Coast. But share her emotions? Not so much. She needs to break up with her girlfriend, Bren, but tragedy strikes before she gathers the courage.

It’s been years, but Vanessa hasn’t recovered from her ex, Bren, dumping her. She’s owned her flower shop for over twenty-five years and should be confidently anticipating her fiftieth birthday, but she still battles her mother’s criticism.

When Vanessa mysteriously shows up at Bren’s funeral, questions, and a few eyebrows, are raised. Was Bren who Hannah and Vanessa thought she was? Did they really know her at all? As the secrets and lies mount, the shocking truth reveals why their relationships failed. But will learning from the past give them the skills to build a future with one another?

Kirsten Lindquist has enough on her hands juggling the demands of her work as an orchestral music librarian. Substitute horn player Shay Bradley has been hitting on her for years, but Shay is known for being an operator, so Kirsten avoids her advances, until she can’t resist. She is just beginning to get to know the new personnel manager, Stephanie Wellford, when the orchestra is shocked by the sudden deaths of three musicians and a string of suspicious accidents.

Kirsten, Shay, and Stephanie believe that the events are related, but they aren’t certain how to prove it. Things get more complicated when Shay backs off to hide her depression and Stephanie admits her crush on Kirsten, but they need to stick together to figure out who is responsible for murder—before they become the next victims.