Cutie Pie Must Die

Someone is killing the Grande Dames of New Orleans!

It’s Christmas time, but the last thing in the world Scotty Bradley wants under his tree is a murder case that strikes close to home. The premiere party for a new reality show sets the stage for a murder, and Scotty’s sort-of nephew is the prime suspect. As more and more cast members fall victim to a cold-blooded killer, Scotty and the boys must figure out what is real and what is scripted, and have to exhume some long-buried secrets in order to bring the killer to justice.

A Scotty Bradley mystery.

Alan Keyes takes a break from his police duties to scratch his acting itch in a local stage production. But when the leading man is murdered during the opening night performance, his partner Detective Heath Barrington is thrust into the limelight to find the killer. Alan soon learns the theater has a deadly past and ghostly forebodings, including a telegram that seems to have come from the beyond.

Among the large cast of suspects is Oliver Crane, the director whose finances depend on the success of this play, Jazz Monroe, Milwaukee’s sweetheart with a secret, and the handsome actor Henry Hawthorne, who has designs on Alan. When Alan seems to return Henry’s attentions, Heath must put his jealousy and insecurities aside to determine what’s real, what’s illusion, and who’s acting and who’s telling the truth before death takes a bow.

A Detective Heath Barrington Mystery

All Detective Heath Barrington and his partner, Alan Keyes, want is to get away for a weekend of romance, but they find murder instead when a missing tie leads them to the body of the peculiar Victor Blount, and Heath can't resist the urge to investigate.  Who killed Blount, and why? 

Clues turn up around every corner, but what do they mean? The bloody "W," the green spool of thread grasped in the dead man’s hand, the newspaper left at the doorstep: they all lead down a strange and winding road of mystery and danger. As Heath and Alan work together to solve the case, they encounter various and eccentric suspects, old friends, and a hostile Chicago Detective, Marty Wilchinski, who doesn’t like Milwaukee police involved in a Chicago crime. Forced to act on their own, out of their jurisdiction, they race against time to find the killer before Wilchinski files the case closed.

Gregor Slavinsky went overboard. Or did he? He was murdered. Or was he? It’s up to Detective Heath Barrington and his partner, police officer Alan Keyes, to find out as they search for clues and a missing twenty-five thousand dollars aboard an old lake steamer and throughout 1947 Milwaukee, Wisconsin.

They are up against gangsters, con artists, and a very seductive Grant Riker, a fellow policeman who could come between Heath and Alan, upsetting their romance. 

The three of them race the clock to find the truth amidst lies, secrets, and possible scandal, while riding the waves of a potential love triangle.

Can a detective and a policeman find love amidst murder? Heath Barrington is an attractive, clever, big city detective, confident, strong, and crazy about police officer Alan Keyes. Down-to-earth, noble, and naïve, Alan struggles with his desires for Heath versus 1940s America and his guilty conscience. 

Heath’s skills of deduction and reasoning are put to the test as he and Alan work together to solve the murder of an eccentric millionaire in his mysterious, isolated estate. They search for clues and uncover long buried secrets of the weekend guests while keeping secrets of their own. 

It’s up to Heath to solve the mystery and convince Alan that some secrets aren’t worth keeping, and lust can lead to love.

As a doctor, Mick McVey knows what a mental health crisis looks like. Her own still takes her by surprise. When she inherits a house from the grandfather she’s never met, she puts herself on sabbatical and travels to the small hometown of the mother who abandoned her. It’s a temporary solution.

Mick might not be grieving her grandfather, but to her new neighbor Katy, his death is one blow too many. Mick’s arrival feels like Katy’s chance to forget her ex and her struggling cinema and reinvent herself. She’ll finally get her hot rebound and make this year her year.

When the COVID-19 lockdown traps both women in situations they’d convinced themselves were temporary, they’re forced to face what they really want from their lives, and who they want to share them with.