Thirteen Hours

Diana Kelley is a couple's sex therapist with a problem: it’s her job to convince her clients of the importance of sexual and emotional intimacy, but after surviving a toxic relationship with an abusive ex, she's sworn off love and can’t fathom ever making herself vulnerable again. When her best friend Ava is injured the night she is scheduled to assist with a hands-on sexual education workshop, Diana is forced to find a short term replacement. The last thing she wants is a new lover, even a paid one. 

After a year of living in the apartment next door, all Jude Monaco knows about her neighbor Diana is that she’s a gorgeous, older woman and the inspiration for more dirty fantasies than she cares to admit. So when Diana knocks on her door with a shockingly delicious favor to ask, Jude seizes the opportunity to learn more. 

Their professional relationship is supposed to be a clinical erotic arrangement between a sex therapist and her assistant, but at the intersection of sex and intimacy, anything is possible. Even love.

Emily Parker has a busy life over which she maintains iron-clad control. Raised by drug-addicted parents, she's used to taking care of the people around her, to the exclusion of her own needs. But not tonight. After years of celibacy, she's ready to pay for exactly what she wants: to surrender control, by having it taken away.

Having worked as a high-priced escort for years, Nat Swayne not only enjoys her job—she's damn good at it. Dangerously sexy, she knows precisely how to fulfill the fantasies of women who enjoy her special brand of make-believe—all without ever becoming emotionally involved.

When their night of intense play turns into something more, Emily and Nat can't help but pursue a connection in the real world. Unfortunately, old habits die hard, and love isn't always enough.

Or is it?

Can you fall in love in thirteen hours?

It's her birthday but lonely workaholic Dana Watts is at the office late, drafting a proposal. The very last interruption she expects comes in the form of the most beautiful breasts she has ever seen. These belong to an incredibly hot woman, who is standing in front of her, stripping to music.

Laurel Stanley performs strip-o-grams to pay her way through school. She has never encountered a more ungrateful recipient than Dana. The uptight project manager makes it clear that she is furious to be distracted from her work by the gift a colleague sent and equally appalled by Laurel's occupation.

After Dana is rude and insulting, and insists on escorting Laurel from the building, the two women take an elevator ride that changes everything. Stuck with each other for thirteen long hours after the elevator breaks down, they discover how wrong first impressions can be and how right two strangers can feel together.

Can everything change in less than a day? Dana and Laurel set out to discover if their passionate elevator encounter can mean more in this fast-paced, erotic story of lust, loneliness, fantasy, and desire.

Kirsten Lindquist has enough on her hands juggling the demands of her work as an orchestral music librarian. Substitute horn player Shay Bradley has been hitting on her for years, but Shay is known for being an operator, so Kirsten avoids her advances, until she can’t resist. She is just beginning to get to know the new personnel manager, Stephanie Wellford, when the orchestra is shocked by the sudden deaths of three musicians and a string of suspicious accidents.

Kirsten, Shay, and Stephanie believe that the events are related, but they aren’t certain how to prove it. Things get more complicated when Shay backs off to hide her depression and Stephanie admits her crush on Kirsten, but they need to stick together to figure out who is responsible for murder—before they become the next victims.

As a doctor, Mick McVey knows what a mental health crisis looks like. Her own still takes her by surprise. When she inherits a house from the grandfather she’s never met, she puts herself on sabbatical and travels to the small hometown of the mother who abandoned her. It’s a temporary solution.

Mick might not be grieving her grandfather, but to her new neighbor Katy, his death is one blow too many. Mick’s arrival feels like Katy’s chance to forget her ex and her struggling cinema and reinvent herself. She’ll finally get her hot rebound and make this year her year.

When the COVID-19 lockdown traps both women in situations they’d convinced themselves were temporary, they’re forced to face what they really want from their lives, and who they want to share them with.