Line of Duty

Lieutenant Jazz Perry finds a young girl wandering the downtown streets alone late at night. As the child becomes attached to her, Jazz is reminded of her own experiences in foster care and takes a personal interest even when she knows she should maintain professional distance. 

Social worker Emory Blake is good at her job helping children in challenging situations. She believes in the system and knows it works if you let it. When Jazz starts interfering in the case and bypassing the rules, Emory is torn between her responsibilities and an unwelcome attraction she can’t deny.

When on the job responsibilities collide with desires of the heart, becoming personally involved is the only choice.

Newly promoted police captain Bennett Carlyle considers being project manager for the new district substation the way to prove her worth in the male-dominated upper ranks of the department. But when the first girl she loved returns as the architect with little understanding of the operational needs of a police station, Bennett’s career and her heart could face permanent damage.  

Architect Kerstin Anthony believes the new police substation will be the springboard to her own firm and the necessary resources to care for her mother. When she confronts the girl she kissed in high school, now a tantalizing police officer with unrealistic expectations about the new facility, Kerstin’s path to success becomes littered with unexpected hurdles. Along with tight deadlines, budget restraints, and architectural challenges, she has to battle both past and present feelings for the woman she was torn away from years ago.

As a doctor, Mick McVey knows what a mental health crisis looks like. Her own still takes her by surprise. When she inherits a house from the grandfather she’s never met, she puts herself on sabbatical and travels to the small hometown of the mother who abandoned her. It’s a temporary solution.

Mick might not be grieving her grandfather, but to her new neighbor Katy, his death is one blow too many. Mick’s arrival feels like Katy’s chance to forget her ex and her struggling cinema and reinvent herself. She’ll finally get her hot rebound and make this year her year.

When the COVID-19 lockdown traps both women in situations they’d convinced themselves were temporary, they’re forced to face what they really want from their lives, and who they want to share them with.

When Rowan Marks signs up to be a research subject in a study on sexual fantasies, she's not looking forward to baring her soul to PhD candidate and head researcher Genevieve Fielding. But she's running out of choices. Her fantasies are as unsettling as they are arousing, and she has to make them stop. Who better to help  than the quietly gorgeous, future Dr. Sex-Fantasies-Are-My-Specialty?

The last thing rock star Harper Cushing needs right now is this attraction to her grandmother’s helper, Frankie, even if she is sneaky-good on the guitar. Returning to her favorite childhood spot, Gram’s nostalgic general store, Harper confronts life-altering decisions: Gram’s future welfare, selling the store, and reassessing her own fast-paced “high life.” If only she could pull it all off without breaking everyone’s heart—including her own.

Having made her own life-altering decision three years ago, Frankie Cosgrove is guardedly single and set to harvest her first cranberry crop. She’s devoted to her elderly storekeeper friend, so when the famous Harper arrives, hell-bent on making changes, Frankie’s defenses rise.

At least they admit to mutual concerns for Gram and the store, and even each other’s heartfelt intentions. But the unexpected musical accord they strike sounds a whole lot like falling in love. Has harmony finally found them?

CEO Eleanor Clairice Beauchamp’s rules for business:
#1: Business always comes first
#2: Succeed
#3: Don’t fail
#4: Never fall in love

Clairice “Claire” Beauchamp has spent her adult life escaping poverty and reaching the top of her industry by adhering to her rules. But staying there may prove to be the most difficult challenge yet. Lotus Enterprises’ next big project requires owning an entire city block, and one last property owner refuses to sell. So, Claire goes undercover to scope out the café owner. She expects to discover the source of her resistance and negotiate a deal. She doesn’t expect to be so drawn to her.

Abby Pita is finally her own boss after achieving her dream of owning Sunshine and Sweets Café. She has no interest in the buyout offers, especially not as her attraction to her newest customer, Claire, is growing. Claire seems to feel their connection too, and Abby has hope that there could be a future for them.

When the truth is revealed, will Claire break all her rules, or both their hearts?