Face the Music

Music producer, Mason Liner, has one passion: the acts she can bring to the top of the charts. When the biggest record label in Nashville hands her a new client, country music royalty, Sophie Roddy, Mason’s reluctant to take on a problem diva whose excessive lifestyle almost ruined her career, but can't turn down the challenge.

Victoria Roddy has lived in Sophie Roddy’s shadow for as long as she can remember. Being her mother's assistant is more than a job description...it’s her life. Now arrogant and aggravating Mason thinks she can turn Sophie’s career around, but Victoria doesn’t believe Mason’s ridiculous demands and exhaustive schedule are what her mother needs right now.

Mason and Victoria have to work together, so it’s really too bad they can’t stand each other, and even worse that they can’t seem to deny their attraction.

Augusta “Tucker” Delacroix is perfectly content running a successful oil field supply company until her brother and business partner, Jim Bob, dies suddenly. Things go from bad to worse when the family's lawyer introduces her to Monique, a beautiful stranger who turns out to be Jim Bob’s mistress and mother of his son. Monique wants Jim Bob's son to be a Delacroix, and Tucker steps up—it’s what family does.

Willow Vernon has never approved of her sister’s affair with a wealthy married man, but when tragedy strikes, Willow assumes care of her nephew. When Tucker demands shared custody rights, Willow’s ready to go to battle. Tucker’s the same kind of irresponsible philanderer as Jim Bob, and she’s not falling for the Delacroix charm like Monique did, no matter how tempting Tucker might be.

Family ties bring Tucker and Willow together, but they could also tear them, and any chance they have at love, apart.

The glitz and glam of Hollywood are just an illusion, and everyone knows celebrities and paparazzi mix as well as oil and water.

Rylee Callison is one of the best paparazzi in Hollywood. A-List actress McKenzie Gomann hates the press after a series of photos create unwelcome trouble for her. When they meet, the attraction is undeniable, but Rylee is keeping a big secret to protect and provide for her family. When McKenzie finds out that Rylee is not only a member of the paparazzi, but the paparazzo who took the scandalous photographs of her, the heat between them turns ice cold.

Can the magic of Hollywood set the stage that brings them back together, or are happy endings only for the movies?

Kirsten Lindquist has enough on her hands juggling the demands of her work as an orchestral music librarian. Substitute horn player Shay Bradley has been hitting on her for years, but Shay is known for being an operator, so Kirsten avoids her advances, until she can’t resist. She is just beginning to get to know the new personnel manager, Stephanie Wellford, when the orchestra is shocked by the sudden deaths of three musicians and a string of suspicious accidents.

Kirsten, Shay, and Stephanie believe that the events are related, but they aren’t certain how to prove it. Things get more complicated when Shay backs off to hide her depression and Stephanie admits her crush on Kirsten, but they need to stick together to figure out who is responsible for murder—before they become the next victims.

As a doctor, Mick McVey knows what a mental health crisis looks like. Her own still takes her by surprise. When she inherits a house from the grandfather she’s never met, she puts herself on sabbatical and travels to the small hometown of the mother who abandoned her. It’s a temporary solution.

Mick might not be grieving her grandfather, but to her new neighbor Katy, his death is one blow too many. Mick’s arrival feels like Katy’s chance to forget her ex and her struggling cinema and reinvent herself. She’ll finally get her hot rebound and make this year her year.

When the COVID-19 lockdown traps both women in situations they’d convinced themselves were temporary, they’re forced to face what they really want from their lives, and who they want to share them with.